segunda-feira, 26 de maio de 2008

Going Blind! Blind BLIND!

when I enter most intimately into what I call myself I always stumble
[on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. i can never catch myself at any time without a perception, and never can observe anything but the perception]









ah yes! the night. but be a little more attentive, for pity's sake, otherwise we'll never get anywhere. look! will you look at the sky, pig! good, that's enough. what is there so extraordinary about it? qua sky. it is pale and luminous like any sky at this hour of the day. in these latitudes. when the weather is fine. an hour ago roughly after having poured forth even since say ten o'clock in the morning tirelessly torrents of red and white light it begins to lose its effulgence, to grow pale, pale, ever a little paler, a little paler until pppfff! finished! it comes to rest. but – but behind this veil of gentleness and peace, night is charging and will burst upon us, pop! like that! just when we least expect it. that's how it is on this bitch of an earth.

segunda-feira, 19 de maio de 2008

Yours Stockhausen

I heard the piece Aphex Twin of Richard James carefully
I think it would be very helpful if he listens to my work "Song Of The Youth" which is electronic
music and a young boy's voice singing with himself because he would then immediately stop with
all these post-African repetitions and he would look for changing tempi and changing rhythms
and he would not allow to repeat any rhythm if it were [not] varied to some extent and if it did
not have a direction in its sequence of variations

Mental! I've heard that song before; I like it. I didn't agree with him. I
thought he should listen to a couple of tracks of mine: "Didgeridoo"
then he'd stop making abstract, random patterns you can't dance to. Do you reckon he can dance? You could dance to Song of the Youth, but it hasn't got a groove in it, there's no bassline. I know it was probably made in the 50s,but I've got plenty of wicked percussion records made in the 50s that are awesome to dance to. And they've got basslines. I could remix it: I don't know about making it better; I wouldn't want to make it into a dance version, but I could probably make it a bit more anally technical. But I'm sure he could these days, because tape is really slow. I used to do things like that with tape, but it does take forever, and I'd never do anything like that again with tape. Once you've got your computer sorted out, it pisses all over stuff like that, you can do stuff so fast. It has a different sound, but a bit more anal.
I haven't heard anything new by him; the last thing was a vocal record, Stimmung, and I didn't really like that. Would I take his comments to heart? The ideal thing would be to meet him in a room and have a wicked discussion. For all I know, he could be taking the piss. It's a bit hard to have a discussion with someone via other people.
I don't think I care about what he thinks. It is interesting, but it's disappointing, because you'd imagine he'd say that anyway. It wasn't anything surprising. I don't know anything about the guy, but I expected him to have that sort of attitude. Loops are good to dance to...
He should hang out with me and my mates: that would be a laugh. I'd be quite into having him around.

quinta-feira, 1 de maio de 2008